showing 100 of 319 results matching `artist:"Philips"`. (load 200 more)

Genre. — A "Bear" Chance, 1907
Philip R. Goodwin

G323

Dancing, drinking and amorous peasants in LRC; bathers in water at right; village buildings in distance — Merry and Rowdy Peasants at an Inn, 1653
Philips Wouwermans

G311

colorful Bacchanal scene with blotchy pigment; two Centaurs wrestling UC, one is holding a sword; three male figures at L, one holding a dagger; group of nude male and female figures, standing and seated, down R side and into LRQ; two Centaurs, one holding a flute, at LL — Satyrs and Fauns - Bacchanale, 1924
Philip Evergood

G353

Abstraction with six horseshoe shapes. — Prospects, 1977
Philip Guston

Not on View

Abstraction. — Bronze, 1955
Philip Guston

Not on View

rounded body with a flip-top "visor"; entire unit resembles a helmet; black with red; wheels on back — "Discoverer" table television, 1990s
Philips

Not on View

triptych: abstract geometric gold forms on clay-colored paper with red inscriptions — Charlemagne Water Clock (Waterclock I-III), 1984
Philip Larson; Publisher: Philip Larson

Not on View

large vertically oriented gold rectangle at L with geometric linear pattern set against marbled gray background — San Marco in the Desert, 1988
Philip Larson; Publisher: Philip Larson

Not on View

Minneapolis Flour Mills, Philip Little — Minneapolis Flour Mills, 19th century
Philip Little

Not on View

Salem's Old Wharves, Philip Little — Salem's Old Wharves, 1915
Philip Little

Not on View

Numbers in pencil (L31.1371) and (274) — Chinese Junks, 1930
Philip Little

Not on View

From a suite of four etchings, each depicting a metaphorical clockface design. — Second Stencil (Sullivan & Wright), 1978
Philip Larson

Not on View

By the River, Philip Little — By the River, 1915
Philip Little

Not on View

Coasters in August Haze, Philip Little — Coasters in August Haze, 1919
Philip Little

Not on View

small flat foot; rounded bottom with sides tapering gently inward toward wide mouth; medium brown with three black knots, large golden brown area and several small golden brown spots; glossy surface — Vessel, 2000
Philip Moulthrop

Not on View

flying saucer-shaped, with flat foot, flaring outward to low, wide shoulder; flat top flaring inward to wide mouth opening; tans, light brown, mottled red-orange areas and two irregular black areas; star-like pattern at interior bottom; high gloss finish — Vessel, 2004
Philip Moulthrop

Not on View

rocky, snow-covered mountain peaks in background; water in LRQ; rocks on short in LLQ, with long cracks; cluster of dead trees, URQ; pine trees, ULQ — The Minarets, Sierra Nevada, California, 1950 (printed 1984)
Philip Hyde

Not on View

flattened disk-shaped vessel with very small foot; orange, blue, yellow and white irregularly-shaped elements layered on surface; clear/white glass — Smaller Clear/White Vase Form, 1990
Joel Philip Myers

Not on View

boy with brown hair wearing a patterned maroon shirt seen behind a counter in a kitchen with white cabinets; ham on a plate and a stack of ears of corn on counters — Brian in the Kitchen, 1988 (printed 1990)
Philip-Lorca diCorcia

Not on View

abstract image with blocks of thick pigment; yellow, blue, green, red, black — Mott #3, 1959
Philip Guston

Not on View

street scene with children in foreground; man on crutches missing lower leg in center; buildings on both sides of street — Street Scene, South Korea, 1967
Philip Jones Griffiths

Not on View

four vertically oriented rectangles with subtracted abstract designs: scalloped cloud like motifs in triangular and rectangular formations on upper half, with low wavelike patterns intersecting in lower portion; set against marbled gray background — Cloud Streets and Contrails, 1988
Philip Larson

Not on View

triangular motif with swirls against marbled mustard colored paper: hexagonal arrangement of triangles at ULQ; diagonal arrangements across center, and one triangle with three swirls inside near LR — Triskelon (The 14 Glyphs), 1994
Philip Larson

Not on View

gold foil lightning pattern cascading in two irregular forks ULQ, forming abstracted human shapes near bottom; against marbled block-like mustard colored background — Chain Lightning (The 12 Glyphs), 1994
Philip Larson

Not on View

large backhoe with continuous track wheels in foreground; man with glasses and cap standing on platform at right on machine, with the numbers "5343" on side of machine to right of man; heavyset man with glasses and cap at left edge standing next to row of filled train cars on track behind backhoe; another long row of train cars above ; mountains at top, with some men working; rubble in foreground; rather random areas of white gouache scattered throughout drawing; received in dark brown frame, glazed with Plexi — Men and Machines (Mesabi Mines), 1955
Philip Evergood

Not on View

metallic grey rectangle with light horizontal arcing rub-like marks/buffing overall; horizontal indented line with hook at each end impressed at bottom of rectangle; off-white paper; received in metal frame with iridescence — Boundary Twenty-six, 1976
Philip Larson

Not on View

abstract image of flames bursting from waving blue and green lines resembling water; triangular crystalline structure UC; waving gray lines resembling plumes of smoke around upper edges — Fire-Ice-Water-Tent, 1980
Philip Hanson

Not on View

Bound Out, Philip Little — Bound Out, 1916
Philip Little

Not on View

The Voyagers - Mother's Tablecloth, Philip Little — The Voyagers - Mother's Tablecloth, 1919
Philip Little

Not on View

Opening of the Season, Philip Little — Opening of the Season, 1928
Philip Little

Not on View

Number in pencil L31.1404 — Seining at Dawn, 1915
Philip Little

Not on View

Fishermen and Smelters, Philip Little — Fishermen and Smelters, 1915
Philip Little

Not on View

Seiners, Philip Little — Seiners, 1917
Philip Little

Not on View

The Lobsterman, Philip Little — The Lobsterman, 1919
Philip Little

Not on View

Trawler, Freighter, Fisherman, Philip Little — Trawler, Freighter, Fisherman, 1917
Philip Little

Not on View

Numbers in pencil L31.1394 and L+2 and 6- — Hauling the Seine, 1921
Philip Little

Not on View

Mending the Bridge, Philip Little — Mending the Bridge, 1916
Philip Little

Not on View

Salem Harbor in Winter, Philip Little — Salem Harbor in Winter, 1915
Philip Little

Not on View

Fisherman Against the Light, Philip Little — Fisherman Against the Light, 1915
Philip Little

Not on View

At the Wharves, Gloucester, Philip Little — At the Wharves, Gloucester, 1915
Philip Little

Not on View

From a suite of four etchings, each depicting a metaphorical clockface design. — Fourth Stencil (Purcell & Elmslie), 1978
Philip Larson

Not on View

Calm of the Morning, Philip Little — Calm of the Morning, 1920
Philip Little

Not on View

Beating to Windward, Philip Little — Beating to Windward, 1924
Philip Little

Not on View

landscape; ruins in white on a light green mountain in middle ground; dark grey mountain in background; row of trees, hedge, and small section of fence in foreground; dark sky with blue clouds — Corfe, 1925
Philip Gregory Needell

Not on View

brick bridge with tall arches and tower-like structure at top; orange and green — Pont d'Avignon, 1925
Philip Gregory Needell

Not on View

front part of a ship sailing in gray water; waves crashing at prow of ship; long pole on L of image; gray sky; gray washy lines at top and R edges of sheet — The Northern Patrol, 1926
Philip Gregory Needell

Not on View

Civilian Victim, Philip Jones Griffiths — Civilian Victim, 1967
Philip Jones Griffiths

Not on View

Abstraction. — Untitled, 1958
Philip Guston

Not on View

Tooth, Philip Guston — Tooth, 1966
Philip Guston

Not on View

Circular Bowl and Cover, Philip Syng, Jr. — Circular Bowl and Cover, c. 1740-1750
Philip Syng, Jr.

Not on View

Landscape — The Upper Ipswich River, c. 1920
Philip Little

Not on View

(continuation of title) Member of the American Ninth Division speaking over radio to command post. The smoke and flames are rising from the Cholon section which has been set afire by the ARVIN troops in order to "flush out" the enemy. Some fires were set by rockets fired by U.S. helicopter gunships north of the "Y" Bridge on the southern side of Saigon — Saigon Under Attack. . ., 20th-21st century
Philip Jones Griffiths

Not on View

Self-Portrait, No.2, Philip Evergood — Self-Portrait, No.2, 1962
Philip Evergood

Not on View

Saigon Under Attack: Exhausted Americans in burned-out ruin, on the outskirts of Saigon, where elements of the 199th Light Infantry Brigade were fighting the Vietcong, Philip Jones Griffiths — Saigon Under Attack: Exhausted Americans in burned-out ruin, on the outskirts of Saigon, where elements of the 199th Light Infantry Brigade were fighting the Vietcong, 20th century
Philip Jones Griffiths

Not on View

House with Veranda, Philip Kappel — House with Veranda, 1920-1963
Philip Kappel

Not on View

Old Scows, MacMahan Island, Philip Kappel — Old Scows, MacMahan Island, 1920-1962
Philip Kappel

Not on View

Imperial Suite, Biltmore Hotel, Los Angeles, California, Philip Melnick — Imperial Suite, Biltmore Hotel, Los Angeles, California, 1976
Philip Melnick

Not on View

Untitled, Philip Melnick — Untitled, 1976
Philip Melnick

Not on View

Saigon Under Attack: American soldiers sitting on top of an armored personnel carrier guarding one portion of the "Y" Bridge while civilians flee from the other side into the center of Saigon, Philip Jones Griffiths — Saigon Under Attack: American soldiers sitting on top of an armored personnel carrier guarding one portion of the "Y" Bridge while civilians flee from the other side into the center of Saigon, 20th-21st century
Philip Jones Griffiths

Not on View

Untitled [two armed soldiers and three small children in shed], Philip Jones Griffiths — Untitled [two armed soldiers and three small children in shed], 20th-21st century
Philip Jones Griffiths

Not on View

sauce boat, one of a pair, bombé shape, on three feet; plain body with wide everted pouring lip, scroll-cut rim and double-scroll cast handle; the feet are dolphin type with shell-shaped foot pads and large shell shoulders — Sauce Boat, one of a pair, c. 1770
Philip Syng, Jr.

Not on View

pyriform coffee pot, tall, plain, pear-shaped with molded foot, low dome cover and knopped finial; scrolled spout wrought with leafage; fruitwood handle; inscribed under foot: [AML to HN 43:5:0] — Coffee Pot, c. 1775
Philip Syng, Jr.

Not on View

The Dowry, Philip J. Thompson — The Dowry, 1977
Philip J. Thompson

Not on View

Vietnam, Inc., Philip Jones Griffiths — Vietnam, Inc., 1968
Philip Jones Griffiths

Not on View

Untited, Philip Jones Griffiths — Untited, 20th-21st century
Philip Jones Griffiths

Not on View

sauce boat, one of a pair, bombé shape, on three feet; plain body with wide everted pouring lip, scroll-cut rim and double-scroll cast handle; the feet are dolphin type with shell-shaped foot pads and large shell shoulders — Sauce Boat, one of a pair, c. 1770
Philip Syng, Jr.

Not on View

House With A Tree, Philip Kappel — House With A Tree, 1923
Philip Kappel

Not on View

Stairway, Philip Kappel — Stairway, September 3, 1932
Philip Kappel

Not on View

Winter Harbor, Salem, Philip Little — Winter Harbor, Salem, 1915
Philip Little

Not on View

A Grey Day, December, Philip Little — A Grey Day, December, 1919
Philip Little

Not on View

Lobstermen - Morning, Philip Little — Lobstermen - Morning, 1918
Philip Little

Not on View

Coming Down with the Breeze, Philip Little — Coming Down with the Breeze, 19th century
Philip Little

Not on View

Third Grate (Uxmal), Philip Larson — Third Grate (Uxmal), 1978
Philip Larson

Not on View

From a suite of four etchings, each depicting a metaphorical clockface design. — First Stencil (Richardson & White), 1978
Philip Larson

Not on View

#'s in pencil (18-2) (L31.1412) — Coming Storm, Destroyers Going to Sea, 1917
Philip Little

Not on View

Sunrise in Harbor, Philip Little — Sunrise in Harbor, 1919
Philip Little

Not on View

The Spanish Galleon, Philip Little — The Spanish Galleon, 1916
Philip Little

Not on View

A Quiet August Morning, Philip Little — A Quiet August Morning, 1925
Philip Little

Not on View

West India Brigs, Philip Little — West India Brigs, 1927
Philip Little

Not on View

Portrait of Robert Koehler, 1910

Philip Little

Not on View

Gloucester Wharves - Sunset, Philip Little — Gloucester Wharves - Sunset, 1916
Philip Little

Not on View

Salem - Waterfront, Philip Little — Salem - Waterfront, 1915
Philip Little

Not on View

Drying Sails, Philip Little — Drying Sails, 1919
Philip Little

Not on View

The Voyagers - Mother's Tablecloth, Philip Little — The Voyagers - Mother's Tablecloth, 1919
Philip Little

Not on View

In a Seaway, Philip Little — In a Seaway, 1922
Philip Little

Not on View

Wing and Wing, Philip Little — Wing and Wing, 1919
Philip Little

Not on View

Waiting for a Breeze, Philip Little — Waiting for a Breeze, 1924
Philip Little

Not on View

Herring Weirs, Philip Little — Herring Weirs, 1918
Philip Little

Not on View

From a suite of four etchings, each depicting a metaphorical clockface design. — Third Stencil (Greene & Greene), 1978
Philip Larson

Not on View

First Grate (Knossos), Philip Larson — First Grate (Knossos), 1978
Philip Larson

Not on View

After the Storm, Philip Little — After the Storm, 1915
Philip Little

Not on View

Number in pencil L31.1381 — English Trawlers - Racing, 1927
Philip Little

Not on View

Number in pencil L31.1398 — Smelt Fisherman, 1915
Philip Little

Not on View

Herring Netting, Philip Little — Herring Netting, 1928
Philip Little

Not on View

Racing, Philip Little — Racing, 1927
Philip Little

Not on View

Sunset, Gloucester Harbor, Philip Little — Sunset, Gloucester Harbor, 19th century
Philip Little

Not on View

Number in pencil L31.1399 — Outward Bound, 1918
Philip Little

Not on View

Fourth Grate (Giza), Philip Larson — Fourth Grate (Giza), 1978
Philip Larson

Not on View

Second Grate (Ravenna), Philip Larson — Second Grate (Ravenna), 1978
Philip Larson

Not on View

Destroyer, Freighter, Fisherman, Philip Little — Destroyer, Freighter, Fisherman, 1916
Philip Little

Not on View

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